|
Tamara Karakashian
Staff Writer
|

Photo courtesy of Susan Ragan (AP)
|
As the lights dimmed,
hundreds of spectators rushed to their seats; the curtains were drawn to
reveal the Armenian army and King Arshak II celebrating a glorious victory
over the Persians. Armenians for centuries since have learned about the
history of the great
nation of Armenia from historians such as Agathangelos, Movses of
Khoren, and Pavstos Buzand to name a few. Now
there is an amazing opportunity to experience Armenian history on the
stage-by watching Tigran Chukhadjian’s Arshak II debut at the San
Francisco Opera.
Chukhadjian dramatized the
story of Arshak II’s reign by writing his opera in the European style.
He changed some relationships and added a romantic flavor to the
war-stricken history of the Armenians. Many people have debated the issue
of "changing" history. Some feel that history should be
preserved in its original form, and there are others who appreciate the
"flare" that Chukhadjian added to Arshak II. Chukhadjian
did not write a history of the Armenians as Agathangelos did. He wrote an
opera to appeal–as most operas do–to the enjoyment of its audience.
When the San Francisco Opera
became interested in Arshak II, they were given the choice between
Chukhadjian’s original version and the version that had been on stage in
Armenia since 1945. They chose the original version to put on stage for
the first time, thereby making history. Although Chukhadjian’s opera was
originally written in Italian, the San Francisco Opera thought it should
be performed in Armenian as a tribute to its late composer.
Arshak II was composed in
1868, however, according to Gerald Papazian "…it was not performed
during the composer’s lifetime because of financial constraints and the
stifling political atmosphere of Ottoman rule."
Since 1945 the only known
version of the opera had been performed in Armenia. There is a debate
about this version, which had been "modified" to conform to the
communist political control of Armenia during that time. Had the
modifications not been made, and the opera staged, there would have been
the risk of losing an epic opera.
Chukhadjian did not see his
opera performed during his lifetime, however due to the financial support
of many people from the Armenian community, in the amount of over
$1,000,000, and from the San Francisco Opera, the opera debuted on
September 8, 2001 at the San Francisco Opera. |