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Index of Armenian Art: Armenian Architecture

LMBAT, SAINT STEPANOS

Type: Small Cruciform, Central-Plan
Location: About one mile southwest of Artik Village.
Date: VII century.
Evidence of date: There are several inscriptions on the building as well as from the material and workmanship.
Important details: Paintings at Lmbat have been used for comparative purposes in the dating of the 7th century leaves found in the 10th century Ejmiain Gospel.
Condition: Good.
Reconstruction: The latest construction to date is 1977.
History and Commentary: St. Step'anos is a small cruciform central-plan church with a cupola and a horseshoe eastern apse, which is rectangular on the exterior. Three bays on the north, south, and west ends are rectangular both on the interior and exterior. Entrance to the church is from the west.

On the interior, the transition from the central square space below to the cupola is made through the use of a double row of squinches. The cupola rests on a tail, octagonal drum pierced by four windows. The exterior of the church has a chapel, oriented to the east, attached to the north side of the western arm. St. Step'anos also displays well-worked rose colored tufa with very little sculptural ornamentation.

The church at Lmbat is also important because of its wall paintings dating back to it construction. These are fresco paintings on the interior walls of the church inspired by the visions of Ezekiel and Isaiah in the old testament. These visions can also be found in the Apses of the Cathedrals of T'alin and Mren, and the church of Gos. The figure of Christ is shown seated on a throne richly decorated with pearls and precious stones. Also surrounding Him on the Aureole is a tetramorph between two wheels described in the vision, and a six-winged seraph. Flames are shown rising from the lower band of ornament.

He theme found in St. Step'anos is often found depicted in the Apse area of Christian churches in both east and west during the early medieval period. Armenian paintings share in this tradition, however its scenes differ in one important respect. The four animals shown in other are as encircling Christ are never represented in the Armenian compositions. Also found at St. Step'ano is a painting of two horseman depicted under the squinches of the church. One is of St. George.

Bibliography:
Strzygowski 1918, 498-499.
T'oramanian 1942-1948, 171-173, 206, 211.
Arutjunjan 1951, 42.
Eremian 1955, 45.
Durnoo 1957, 9-11.
Eghiazarian 1960, 2,50.
Tokarskii 1961, 110-112.
Arak'elian 1964, 171.
Sarkisian 1966, 215.
Architettura Medievale Armena, Rome-Palazzo Venezia 10-30 Giugno, 1968 1968, 91.
Der Nersessian 1970, 104, 137.
Coen 1974, 43.
Harouthiounian 1975, 41.
Der Nersessian 1977-1978, 36, 71, 75.
Theirry 1987
Cuneo 1988

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